Create stunning multi camera live production with the world’s most advanced production switchers! ATEM switches between SD, HD or Ultra HD video standards so you can form exciting live production with a wide range of video sources such as cameras, disk recorders and slide shows or animation from computers. You get powerful features such as chroma key, creative transitions,
media pool, downstream keyers, audio mixer, multi view and more! The more advanced models include features such as up to 20 SDI inputs, SuperSource multi-layer engine, full motion DVE, stinger transitions, larger media pool with full motion clips and up to an incredible 6 auxiliary outputs!
Advanced Live Production
Creative features with advanced technology
Take your live production beyond broadcast quality! ATEM Production Studio 4K has all the features you need for the most innovative live concerts, sporting events, theater productions, conferences and more! When you’re doing live events with super large high resolution screens, then simply switch your ATEM Production Studio 4K to Ultra HD for incredible quality. Many live events now use massive high resolution LED screens and projectors and now you can drive those screens in full resolution!
Highest Quality Connections
Connect to SDI and HDMI equipment in SD, HD and Ultra HD!
ATEM Production Studio includes advanced 6G-SDI and HDMI 4K inputs that are SD, HD or Ultra HD switchable so you can connect to virtually anything! Every input supports embedded audio mixing and features a frame resynchronizer so you can use sources without genlock such as consumer HDMI cameras or even computers for live PowerPoint™ presentations! You also get 2 balanced XLR audio inputs for connecting professional mixers and a HiFi audio input for consumer equipment like an iPod®.
Get all the outputs you need to record your video master and to broadcast your program to the audience at the event! ATEM includes program and down converted program outputs plus auxiliary outputs allowing clean feeds, perfect for connecting to giant outdoor LED screens, projectors, disk recorders, monitors and broadcast decks! The multi view outputs are 1080i HD so you can use any TV or monitor. You also get a balanced XLR output of your audio mix, which is also embedded into all video outputs.
Remote Camera Control
Full camera control from your switcher!
Get full control of your cameras right from the ATEM software control! The new Blackmagic Studio Camera can be controlled via the SDI program feed to the camera, so you can control its built in camera settings and full color corrector, all remotely from the ATEM software control panel! There are two types of control interface, a CCU layout for traditional camera control style, or a color corrector interface which is the same as DaVinci Resolve’s primary color corrector so you can use all your color correction skills from DaVinci Resolve for adding incredible creativity to live production!
Blackmagic Cintel Film Scanner
The creativity of film combined with a revolution in design!
No other company in the world has more experience at scanning film than Cintel, and now that knowledge has been combined with cutting edge technology to produce the new Blackmagic Cintel film scanner! The new Cintel scanner has been designed with an architectural aesthetic and it’s so thin it can even be wall mounted! It features totally redesigned digital servos, high intensity diffuse light source and imaging systems, so you get a real time scanner that scans 35mm and 16mm film up to 30fps in Ultra HD resolution! Now you can use film for post production or unlock millions of hours of film based content for scanning to Ultra HD masters for a new future world of exciting Ultra HD distribution!
Designed to hang beautifully on your wall, the Cintel film scanner is constructed using aircraft design techniques for a stiff and vibration free main deck so you get smooth film handling. The core chassis has been designed as a super rigid structural space frame, which results in a design that’s dramatically lighter than an older simplistic heavy plate design. This means the Cintel scanner is light enough to be wall mounted in your facility, making it part of
the environment of your color correction suite. Being super thin and wall mounted, it’s out of the way until you need to use it, and then it springs to life and performs! Whether wall or desk mounted the innovative design includes sliding doors, built in cleaning rollers and new digital servos to keep your film clean and ensures handling of valuable negative remains gentle.
Fast Easy Control
Using the Cintel film scanner is easy and intuitive. You get scanner control software for your Mac that includes everything you need to transfer and capture films to Ultra HD or HD files. Scanned files can also be opened with DaVinci Resolve for further color, restoration and mastering work.
davinci Resolve 11
Exotic locations, far off places, and even entire worlds are created on the stages and inside the computers of major Hollywood film studios. Bringing it all together and making it look real requires the most powerful tools and the highest quality image processing. DaVinci Resolve was developed in collaboration with the leading post production companies around the world and is the only solution that gives colorists the control they need to create realistic images that make us believe in what we see on the silver screen!
High Resolution LCD Displays
5 super bright full color displays show menus and indicators for a massive 32 soft knobs and 30 soft keys. Menus update automatically to show the quickest and most direct keys to every feature so you never waste time searching through long menus.
Custom backlit keys feature RGB color and intensity to suit your mood and taste! No other control surface looks as amazing in a darkened room!
Each soft knob allows super fine parameter adjustment and with a simple push, you can set each parameter back to the default.
Shadows, Tones and Highlights
With a single key you can switch your trackballs to grading shadows, mid tones and highlights using log controls with high and low range, contrast and master pivot.
Individual Camera RAW Controls
You get direct GPU de bayer controls on the panel for exposure, contrast, lift, gain, color temperature, tint, highlight and lowlight recovery, saturation, color boost and mid tone detail. Adjusting camera RAW files has never been easier or faster.
Reference Keys and Fader T-bar
Colorists constantly grab and play stills to compare grades using the gallery. The DaVinci Resolve control panel has dedicated memory keys to quickly save and recall stills. You can use the fader T-bar to wipe between saved stills and your live grading timeline.
Slide out Keyboard
Use the slide out keyboard when you need to enter clip metadata, name files, nodes or put notes on markers. When your finished the keyboard retracts into the control surface.
The jog/shuttle knob and transport control keys give you full control of your project timeline or deck.
Blackmagic SmartView 4K
The world’s first full resolution Ultra HD
broadcast monitor with 12G-SDI
SmartView 4K is the world’s first full resolution rack mount Ultra HD broadcast monitor with 12G-SDI for native display of up to 2160p60. You get a professional broadcast monitor that supports the latest Ultra HD resolutions, plus automatically switches to SD and HD-SDI formats using high quality Teranex processing for a clean and professional display. The machined metal design
includes a built in control panel for using features such as the built in 3D LUTs, H/V delay, blue only, zoom, focus peaking, customizable frame markers and more, either from the front panel or via external Ethernet! SmartView 4K supports VESA mounting so you can install on articulated monitor arms or rack mounting.
Broadcast quality SD, HD and Ultra HD monitoring!
SmartView 4K is an incredibly high quality monitor that’s versatile enough to be used from the largest broadcast facility, mobile live production or on set for feature film production! SmartView 4K works with all SD, HD and Ultra HD video formats and includes both universal AC power as well as 12V DC power inputs so you can use it with a battery or plug it into standard AC mains power. The 6 rack unit sized design and VESA compatibility means it can be installed in racks, outside broadcast vehicles or even mounted on walls and on articulated arms! SmartView 4K is the perfect professional monitor for any broadcast facility, mobile broadcast truck, or even on location fly away kits!
Machined metal design that’s built to last!
SmartView 4K has a stunning machined metal front panel and a sleek rack mount design with backlit buttons for easy access to all controls! It fits perfectly into standard 19” racks and also has VESA mount points on the back. The professional broadcast connections are side mounted, which makes SmartView 4K thinner so it can be installed in tight locations. Standard 12G-SDI BNC connectors mean the cables won’t fall out from vibrations when used in a broadcast truck. With both DC and AC power you get the flexibility of both portable or studio use. When you want to align more than a single monitor or you need remote setup, SmartView 4K can also be controlled via Ethernet.
Extremely High Resolution
Full resolution allows you to see every
pixel in an Ultra HD image!
Now you can install the perfect future proof monitoring solution because SmartView 4K will handle monitoring from all your SD, HD-SDI, 3G-SDI, 6G-SDI and 12G-SDI sources. The SDI inputs automatically detect the input video standard and re-clock instantly. The full resolution Ultra HD monitor allows you to see every single pixel in a 3,840 x 2,160 resolution SDI input, even when running at a faster 60p frame rate! The fast frame rate support is perfect for fast motion such as sports, plus you get a totally future proof design!
Local and Remote Control
Control all your monitors from a central location
When you’re in the middle of a job you can’t be fumbling with controls to change settings on your monitor. SmartView 4K gives you both easy front panel control or remote control from a Mac or PC connected over Ethernet. The backlit front panel buttons make them easy to use in dimly lit studio or location environments. The front panel lets you set input selection, adjust brightness, view focus peaking, zoom into the image, select 3D LUTS and use advanced broadcast features such as H/V delay, blue only and frame guides. SmartView 4K comes with Mac and PC software so you can connect via Ethernet and change all settings remotely, which is ideal for large broadcast studios and post houses!
Connect via regular SDI or via optional optical fiber!
SmartView 4K includes two multi rate 12G-SDI inputs so you can select between 2 different sources at the push of a button! 12G-SDI is the latest and most advanced SDI connection available and is compatible with all your SDI equipment ranging from SD and HD all the way up to Ultra HD 2160p60! With fast switching, changing formats is nearly instantaneous. There is also a SMPTE compatible optical fiber SDI socket so you can add an optical fiber SDI module and then connect via optical fiber direct to the monitor! You also get loop through Ethernet, AC and DC power inputs, tally input connector, USB port for software updates and loop 12G-SDI loop output.
Ethernet Remote Control
Change all settings from your Mac or Windows computer!
Larger facilities and installations often need to set up multiple racks with many monitors spread around, or even walls of monitors for master control and camera monitoring. SmartView 4K makes this simple because you can connect to your Ethernet network and run the Mac or Windows software to control all your monitors. SmartView 4K has loop through Ethernet so you don’t need to use expensive Ethernet switches and you get the speed to upload 3D LUTs quickly. You can even copy and paste settings between monitors to make matching displays and setup fast. With network control, you’ll never have to climb on desks or studio consoles to adjust your monitors again!
The world’s first user upgradable 4K digital film camera!
Introducing Blackmagic URSA, the world’s first high end digital film camera designed to revolutionize workflow on set. Built to handle the ergonomics of large film crews as well as single person use, URSA has everything built in, including a massive 10 inch fold out on set monitor, large user upgradeable Super 35 global shutter 4K image sensor, 12G-SDI and internal dual RAW and ProRes
recorders. Because the sensor and lens mount assembly can be changed, you can choose EF or PL lens mounts, or even a broadcast video sensor with B4 mount. This means you can upgrade to the latest sensor technology in the future and keep your investment in the camera body!
Designed for feature films, television commercials and more!
Blackmagic URSA is designed to be used on high end feature films, commercials, episodic television production, documentaries, electronic news gathering, music videos and more. When used on jobs with a large crew you can easily dress the camera with high quality cinema lenses, rails, follow focus, matte boxes and more. With built in scopes for exposure, focus and audio levels, it’s easy for DOP’s to get perfect results every time. The dedicated screen for camera assistants lets them check and update camera parameters independently of the DOP. If you’re shooting solo then the large fold out on set monitor, built in scopes and internal recorder means you don’t need any extra on set equipment because it’s all built into the camera. That’s a whole film set of equipment built into the one extremely portable design!
Rethinking Camera Design
All your on set equipment built into one portable design!
The Blackmagic URSA features a larger professional size that has the space for powerful cooling that allows higher frame rates while keeping the chassis cool and the fan super quiet. The machined aluminum design is incredibly strong and has been designed for large film crew use and to be field upgradable to new sensors by the user. Each area of the camera has been divided into separate DOP, camera assistant and audio engineer work stations. The DOP
station features a large 10 inch fold out on set monitor and separate 5 inch screen for settings, camera status and scopes. The camera assist station features a separate screen for camera settings, status and scopes and an audio station features audio meters, controls and audio connections. The big screen means you don’t need extra on set equipment so it’s easy to move around quickly between shots. Simply fold in the monitor and go!
Shoot in incredible
quality Ultra HD
Super 35 size sensor with
feature film dynamic range
URSA is a true professional digital film camera with a 4K sensor, global shutter and an incredible 12 stops of dynamic range. The wide dynamic range blows away regular video cameras or even high end broadcast cameras, so you get dramatically better images that look like true digital film. The wide dynamic range preserves detail in dark shadows as well as bright highlights so you have a wider range of brightness levels to work with when color grading in post production. The extra large Super 35 size allows for creative shallow depth of field shooting and the high resolution Ultra HD 12 bit lossless Cinema DNG RAW means you get incredible quality! You can also shoot Ultra HD or HD in Apple ProRes for easy post production workflow with minimum storage requirements!
Dual Recorders for Non Stop Recording
Keep recording forever so you never miss a critical event!
Blackmagic URSA features dual recorders so you never need to stop recording to change media. That’s critical if you are shooting an historical event, important interview or where you just cannot stop shooting! Simply load an empty CFast card into the second recorder and when the current card is full, the recording will continue onto the second card, allowing you to change out the full card and keep shooting! The built in recorders use new CFast card technology that allow recording up to 350 MB/s for incredible speeds, perfect for high frame rate RAW recording! Imagine shooting RAW and then playing back for the crew on the massive 10 inch screen!
User Upgradeable Sensor and Mount
Choose from a range of sensors and lens mounts!
The Blackmagic URSA features a modular camera turret that can be simply removed by removing 4 simple bolts! The camera turret includes the sensor, lens mount and lens control connections and can be upgraded in the future when new types of sensors are developed. This means your next camera will be a fraction of the cost of buying a whole new camera! There are currently 4 models to choose from!
URSA EF includes the amazing 4K Super 35 image sensor with global shutter and an EF lens mount with active lens control. Now you can use low cost DSLR photo lenses from companies such as Canon, Zeiss and more!
URSA Broadcast, due later in 2014, features a whole different sensor optimized for Broadcast Video in Ultra HD, combined with a broadcast B4 lens mount and broadcast lens control connection plus built in ND filter wheel.
URSA PL includes the amazing 4K Super 35 image sensor with global shutter and the film industry PL lens mount. That’s ideal when you need to use feature film industry PL mount lenses for the most cinematic optics available!
URSA HDMI includes no sensor because it features an HDMI 4K input and mount plate for connecting any camera such as DSLR cameras! Get much better ProRes recording, monitoring, audio and timecode than what is ever included on simple video or DSLR cameras!
Built in On Set Monitoring!
Massive Viewfinder as a
fold out 10 inch screen!
Say goodbye to bulky on set monitors because you get a massive fold out 10 inch screen built into Blackmagic URSA, making it the world’s biggest viewfinder! The screen is super bright so it’s easy to see when shooting outdoors, even in direct sunlight, plus it features an ultra wide viewing angle so you can pan and tilt to extremes and still see crystal clear images. When shooting in Ultra HD, focus becomes extremely difficult on small viewfinders, however with a massive 10 inch screen in full HD, you can see your images in amazing detail for perfect focus, framing and exposure! Because the screen tilts you can shoot down low, or high up over crowds and easily tilt the screen up or down to see your shot!
Two Extra 5” Touch Screens
Get full control on both sides of the camera!
URSA features the world’s most intuitive and advanced touch screen camera user interface! There are two 5” touch screens on both sides of the camera that put your settings, controls and monitoring tools at your fingertips!
The left side gives you quick access to all major settings via a touch screen and a row of control buttons. That means you don’t have to hunt through complicated menus to make changes!
The right side displays settings like format, frame rate, shutter angle and more! There is a large prominent timecode display, an animated histogram for checking levels, a scrolling audio waveform monitor with clipping indicators and a spectrum scope for helping you check and adjust focus!
Standard connections eliminates custom cables
The Blackmagic URSA features standard broadcast connections so you don’t need to worry about buying expensive custom cables! You get 12G-SDI output that can be down converted to HD or used directly at amazing Ultra HD quality. There’s also a 12G-SDI input that can display return video on the 10 inch monitor when working on live events or an external video source! A separate SDI output is
available for attaching external viewfinders and eye pieces. For audio, there are 2 professional XLR connections with 48v phantom power so you can use the audio industry’s best quality microphones. You also get timecode in/out and a LANC connector for controlling the camera, lenses, and accessories remotely.
Broadcast Standard Power
Compatible with industry standard power supplies
URSA uses a standard 4-pin 12V to 20V XLR broadcast power connector for plugging into external power supplies. There are also mounting points and a power transfer connector for mounting third party V-Mount and Anton/Bauer gold mount back plates and batteries onto the rear of the camera itself. This means
you can integrate the battery as part of the camera itself. You also get a standard 4 pin XLR 12V output power connector so you can use a wide range of third party viewfinders without needing expensive custom cables. That means it’s easy to integrate the camera with all of your existing gear and accessories!
Designed to be Rigged!
Customize your rig to suit
To make it super easy to bolt on your favorite accessories, Blackmagic URSA has multiple mount points all over the camera. You get standard tripod quick release attach points on the bottom of the camera, so you can use industry standard tripod mounts. The viewfinder connection uses standard power and BNC SDI connections for any type of viewfinder, plus there is standard 3/8” threaded points on the top and handle of the camera for mounting anything you like! Standard battery mounts can be bolted to the rear of the camera and you can use standard rails in the rail mounts built into the camera base. No camera is so easy to rig up for any type of production
The industry standard in color
correction included free!
Blackmagic URSA includes full DaVinci Resolve 11 software for Mac and Windows, so you get more color correction features that let you take advantage of URSA’s amazing image quality. You can use the Resolve Live feature to grade live pictures direct from the camera. Imagine lighting your set and color grading all at the same time! You get the full creative power of primaries, secondaries, power windows and more! You also get DaVinci Resolve’s advanced editing features including a full multi layer timeline with ripple, roll, slide and slip clip trimming and title tools! Blackmagic URSA and DaVinci Resolve mean you get a complete production and post production solution!